SELECTED WORKS & W.I.P.
My practice is to create 8 -12 hours a day at least 5 days a week (rarely does a day go by that I do not paint, inpaint, outpaint, sketch, concept, collage, glitch, build, prompt, code, or otherwise create). The work shown on my site is a small fraction of the work I have created. My mediums are diverse and I often work with image manipulation software to post-process photography and generative images but I never limit my work to a specific medium. I trust the creative process to lead me where I need to go.
Private virtual showings on New Work available for new and existing collectors.
Still from The Long Drive Home, 2025, Digital Mixed Media
New Landscapes, 2024, Digital Mixed Media
Futureproof, 2025, Acrylic on Canvas
Watch Your Mouth, 2025, Acrylic & Gouche on Canvas
Hope in Action (still), 2024, Digital Mixed Media including Generative AI
Raise Everyone Up (still), 2024, Digital Mixed Media including Generative AI
Raise Everyone Up, 2024, Digital Mixed Media
Entropy's Embrace
CENSOR ME! PROTECT ME! CONTROL ME! Digital Mixed Media, 2024
Manhattan, 2024, Glitch Photography - Taken in Spring of 2024 using my one-of-kind circuit bent camera made by Glitch Artist, Dawnia Darkstone. In post-processing, I accentuated the corrosive texture and hyper-pop colors of the photo.
Coming Out of Post Alley, 2024, Glitch Photography (Circuit Bent Cannon Powershot)
Allegory of the Cave, Digital Render of Sculpture Concept I will work on in 2025
Coded by Nature, 2024, Generative AI and Image Manipulation Coded to be creative, to be generative... we replicate ourselves in our technology
Women Understand Surveillance (W.I.P), Found Object Sculpture
Fragments, 2024, Digital Mixed Media
Cosmic Contagion, 2024, Digital Mixed Media